Back بوجي ووجي Arabic Boogie-woogie AST Boogie-Woogie BAR Буги-вуги Bulgarian Bugui-bugui Catalan Boogie-woogie (hudba) Czech Boogie-woogie Danish Boogie-Woogie German Μπούγκι Greek Bugio EO
| Boogie-woogie | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 19th century, Piney Woods of Northeast Texas, U.S. |
| Derivative forms | |
| Fusion genres | |
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s.[1] It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music[2] (although not usually played for the competitive dance known as boogie-woogie (dance), a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll.
Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around the world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson, Albert Ammons, and Meade "Lux" Lewis. Other famous boogie woogie pianists of this peak era were Maurice Rocco and Freddie Slack. There were also many very notable women boogie woogie pianists during this time, including Hadda Brooks, Winifred Atwell, Martha Davis, and Hazel Scott, as well as in later years, such as Katie Webster.