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The Battle of Lipantitlán, also known as the Battle of Nueces Crossing, was fought along the Nueces River on November 4, 1835 between the Mexican Army and Texian insurgents, as part of the Texas Revolution. After the Texian victory at the Battle of Goliad, only two Mexican garrisons remained in Texas, Fort Lipantitlán near San Patricio and the Alamo Mission at San Antonio de Béxar (modern-day San Antonio in the U.S. state of Texas). Fearing that Lipantitlán could be used as a base for the Mexican army to retake Goliad and angry that two of his men were imprisoned there, Texian commander Philip Dimmitt ordered his adjutant, Captain Ira Westover, to capture the fort.
The commander of Fort Lipantitlán, Nicolás Rodríguez, had been ordered to harass the Texian troops at Goliad. Rodríguez took the bulk of his men on an expedition; while they were gone, Westover's force arrived in San Patricio. On November 3, a local man persuaded the Mexican garrison to surrender, and the following day the Texians dismantled the fort. Rodríguez returned as the Texians were crossing the swollen Nueces River to return to Goliad. The Mexican soldiers attacked. After a short period, the Mexicans retreated. One Texian was injured, 3–5 Mexican soldiers were killed, and 14–17 were wounded. (Full article...)
Tourism holds considerable significance as a pivotal industry within Mexico's economic landscape. Beginning in the 1960s, it has been vigorously endorsed by the Mexican government, often heralded as "an industry without smokestacks," signifying its non-polluting and economically beneficial nature.
Mexico has consistently ranked among the world's most frequented nations, as documented by the World Tourism Organization. Second only to the United States in the Americas, Mexico's status as a premier tourist destination is underscored by its standing as the sixth-most visited country globally for tourism activities, as of 2017. The country boasts a noteworthy array of UNESCO World Heritage Sites, encompassing ancient ruins, colonial cities, and natural reserves, alongside a plethora of modern public and private architectural marvels. (Full article...)
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Mis Boleros Favoritos (English: My Favorite Boleros) is a compilation album by Mexican singer Luis Miguel. Released on 8 October 2002 by Warner Music Latina, it contains thirteen previously-recorded songs from the Romance-themed albums as well as a new track "Hasta Que Vuelvas". A special edition of the record was released on the same day and includes a DVD containing seven music videos from the bolero-themed discs. "Hasta Que Vuelvas" was released as a single for the album and peaked at number 16 on Billboard's Hot Latin Songs chart in the United States. Iván Adaime of AllMusic gave the album a 3.5 out of 5 star rating citing that the new song and music videos are the only incentives for fans to buy it and noted the album's purpose to end the Romance era. "Hasta Que Vuelvas" received a Latin Grammy nomination for Record of the Year in 2003. Commercially, Mis Boleros Favoritos peaked at number three on Billboard's Top Latin Albums chart in the United States, number one in Spain, and number seven in Argentina. (Full article...)
Posthumous portrait as Emperor of Mexico by Primitivo Miranda, 1865.
Agustín Cosme Damián de Iturbide y Arámburu (Spanish pronunciation:[aɣusˈtindeituɾˈbiðe]ⓘ; 27 September 1783 – 19 July 1824), commonly known as Agustín de Iturbide and later by his regnal nameAgustín I, was the first Emperor of Mexico from 1822 until his abdication in 1823. An officer in the royal Spanish army, during the Mexican War of Independence he initially fought insurgent forces rebelling against the Spanish crown before changing sides in 1820 and leading a coalition of former royalists and long-time insurgents under his Plan of Iguala. The combined forces under Iturbide brought about Mexican independence in September 1821. After securing the secession of Mexico from Spain, Iturbide was proclaimed president of the Regency in 1821; a year later, he was proclaimed Emperor, reigning from 19 May 1822 to 19 March 1823, when he abdicated. In May 1823 he went into exile in Europe. When he returned to Mexico in July 1824, he was arrested and executed. (Full article...)
A calavera (Spanish – pronounced[kalaˈβeɾa] for "skull"), in the context of the Day of the Dead, is a representation of a human skull or skeleton. The term is often applied to edible or decorative skulls made (usually with molds) from either sugar (called Alfeñiques) or clay, used in the Mexican celebration of the Day of the Dead (Spanish: Día de Muertos) and the Roman Catholic holiday All Souls' Day. Calavera can also refer to any artistic representations of skulls or skeletons, such as those in the prints of José Guadalupe Posada, or to gifts or treats in relation to the Day of the Dead. Some widely known calaveras are created with cane sugar, decorated with items such as colored foil, icing, beads, and sometimes objects such as feathers. They range in multiple colors.
Traditional methods for producing sugar skulls with molds have been in use for a long time, though the first known mention of the sale of skeletal figures dates to the 1740s. The sugar skulls were originally created as gifts, to be eaten by children. They are sometimes now used as offerings to be placed on altars known as ofrendas ("offerings") for Día de Muertos. It has been argued that the tradition has roots in indigenous celebrations, by groups including the Aztec, Mayan, and Toltec commemorations. However, what we now call Day of the Dead is more Catholic than indigenous because the Spanish tried to eradicate indigenous religions Moreover, as Stanley Brandes has argued, these skulls and skeletons have nine characteristics. They are: (1) ephemeral; (2) seasonal; (3) humorous; (4) secular; (5) commercial; (6) made for living people; (7) meant to be played with; (8) small and transportable; (9) made and consumed by an urban population. They are "lighthearted emblems of death." Thus they are not derived from sacred Mesoamerican traditions. (Full article...)
Image 2Battle of Centla, the first time a horse was used in battle in a war in the Americas. Mural in the Palacio Municipal of Paraíso, Tabasco (from History of Mexico)
Image 11Battle of Miahuatlán took place on 3 October 1866. The liberal victory at Miahuatlán was significant because it allowed them to consolidate their control over southern Mexico. (from History of Mexico)
Image 12Colossal atlantids, pyramid B, Toltec, Tula, Mexico, ca. 900–1180 AD (from History of Mexico)
Image 24Porfirio Díaz dominant Mexican political and military figure who served as President for much of the late 19th and early 20th centuries, characterized by his long rule and the modernization efforts known as the Porfiriato. (from History of Mexico)
Image 26Agustín de Iturbide the first Emperor of Mexico in 1822 after leading the Mexican War of Independence against Spain, but his reign was short-lived, lasting only until 1823 when he abdicated, and Mexico transitioned to a republic. (from History of Mexico)
Image 41Battle of Tampico (1829) a conflict between Mexican forces led by General Antonio López de Santa Anna and Spanish loyalists attempting to reconquer Mexico, resulting in a decisive Mexican victory that further solidified Mexico's independence from Spain. (from History of Mexico)
Image 42Panel 3 from Cancuen, Guatemala, representing king T'ah 'ak' Cha'an (from History of Mexico)
Image 43Goddess, mural painting from the Tetitla apartment complex at Teotihuacan, Mexico, 650–750 CE (from History of Mexico)
Image 52Entry into Mexico City by the Mexican army (from History of Mexico)
Image 53Ignacio Comonfort significant role during the tumultuous period of the mid-19th century, including the Reform War and early stages of the Mexican Republic's transition. (from History of Mexico)
Image 56Logo of Nacional Financiera (NAFIN), the state development bank. (from History of Mexico)
Image 57General Santa Anna known for his leadership during the Texas Revolution, Mexican-American War, and turbulent periods of Mexican history marked by political instability and territorial losses. (from History of Mexico)
Image 61The Volkswagen Beetle, known in Mexico as the "Vocho," is perhaps the most iconic classic car in the country. Its production in Mexico began in 1967, and it continued until 2003, making it a symbol of Mexican automotive culture. (from Culture of Mexico)
Image 65Logo of the Partido Nacional Revolucionario, with the colors of the Mexican flag (from History of Mexico)
Image 66Plutarco Elías Calles politician and revolutionary general who served as President of Mexico from 1924 to 1928, known for his role in shaping modern Mexico through reforms and the consolidation of state power. (from History of Mexico)
Image 67President Obregón. Note that he lost his right arm in the Battle of Celaya (1915), earning him the nickname of Manco de Celaya ("the one-armed man of Celaya"). (from History of Mexico)
Image 77David Huerta is a contemporary philosopher and poet who examines human existence, freedom, and meaning in Mexican society, blending philosophy with art and literature. (from Culture of Mexico)