Portal:Madagascar

Jaojoby outside Le Bus nightclub in Antananarivo, 1999

Eusèbe Jaojoby (born 29 July 1955), commonly known by his surname Jaojoby [ˈdzodzubʲ], is a Malagasy composer and singer of salegy, a musical style of northwestern Madagascar. Critics consider him to be one of the originators of the modern salegy style that emerged in the 1970s, and credit him with transforming the genre from an obscure regional musical tradition into one of national and international popularity. Jaojoby also contributed to the creation of two salegy subgenres, malessa and baoenjy. Jaojoby has been called the most popular singer in Madagascar and the Indian Ocean islands, and is widely referred to as the "King of Salegy". His success has earned him such honors as Artist of the Year in Madagascar for two consecutive years (1998–1999) and the role of Goodwill Ambassador for the United Nations Population Fund in 1999.

In 1970 Jaojoby began singing in the northern coastal town of Diego-Suarez. He performed with bands that were experimentally blending American soul and funk with the Malagasy musical traditions of the region. The artist gained popularity and toured regionally, producing four singles with The Players before the band broke up in 1979. After a short break in the 1980s to pursue a career in journalism, Jaojoby resumed his musical career and rose to national prominence with his 1988 hit "Samy Mandeha Samy Mitady". He then reoriented his career toward music, recording his first full-length album in 1992 and becoming a full-time professional musician the following year. He has since released eight full-length albums and has toured extensively in Madagascar and abroad accompanied by his wife and adult children, who perform in the band with him. (Full article...)

The culture of Madagascar reflects the origins of the Malagasy people in Southeast Asia, East Africa and Oceania. The influence of Arabs, Indians, British, French and Chinese settlers is also evident.

The most emblematic musical instrument of Madagascar, the valiha, is a bamboo tube zither carried to the island by early settlers from southern Borneo, and is very similar in form to those found in Indonesia and the Philippines today. Traditional houses in Madagascar are likewise similar to those of southern Borneo in terms of symbolism and construction, featuring a rectangular layout with a peaked roof and central support pillar. Reflecting a widespread veneration of the ancestors, tombs are culturally significant in many regions and tend to be built of more durable material, typically stone, and display more elaborate decoration than the houses of the living. (Full article...)

UA 8699 (University of Antananarivo specimen 8699) is a fossil mammalian tooth from the Cretaceous of Madagascar. A broken lower molar about 3.5 mm (0.14 in) long, it is from the Maastrichtian of the Maevarano Formation in northwestern Madagascar. Details of its crown morphology indicate that it is a boreosphenidan, a member of the group that includes living marsupials and placental mammals. David W. Krause, who first described the tooth in 2001, interpreted it as a marsupial on the basis of five shared characters, but in 2003 Averianov and others noted that all those are shared by zhelestid placentals and favored a close relationship between UA 8699 and the Spanish zhelestid Lainodon. Krause used the tooth as evidence that marsupials were present on the southern continents (Gondwana) as early as the late Cretaceous and Averianov and colleagues proposed that the tooth represented another example of faunal exchange between Africa and Europe at the time. (Full article...)