Born to a working-class family in Oldham, in the north of England, and a full-time art student on scholarship by age 13, Clarke came to prominence in the late 1970s as a painter and figure of the Punk movement[5][6][7] and designer of stained glass. By the early 1980s he had become a major figure in international contemporary art,[8] the subject of several television documentaries and a café society regular. He is known for his architectonic art, prolific output in various media,[9] friendships with key cultural figures,[10][11][a] and polemical lectures and interviews.
His practice in architectural and autonomous stained glass, often on a monumental scale,[12] has led to successive innovation and invention in the development of the medium.[b] This includes the creation of stained glass without lead and the subsequent pioneering of a 'dramatically enhanced Pointillism'[15] in glass, as well as the creation of sculptural stained glass works, analogous to collage, made primarily or entirely of lead.[16] The latter two advances are described as having taken stained glass as an art form to its zero-point in each direction: absolute transparency and complete opacity.[c]
^Crichton-Miller, Emma (4 February 2011). "The Great Glass Elevator". Financial Times. Retrieved 3 October 2019.
^Amaya, Mario (June 1984). "Clarke's New Constructivism". Studio International. 197 (1005).
^ abDickson, Jane (15–21 October 2011). "Magic of glass: Meet Brian Clarke, Britain's star of stained glass with a papal blessing". Radio Times. United Kingdom: Immediate Media Company Limited.
^Clarke, Brian; Obrist, Hans Ulrich (October 2023). Brian Clarke: A Great Light. London: HENI Publishing. p. 17. ISBN978-1912122769.{{cite book}}: CS1 maint: date and year (link)
^Clarke, Brian; Obrist, Hans Ulrich (October 2023). Brian Clarke: A Great Light. London: HENI Publishing. p. 15. ISBN978-1-912122-76-9.
^"Brian Clarke appointed new Chairman of the Architecture Foundation" (Press release). London: The Architecture Foundation. BLAH PR. February 2007.
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