Costume coordination

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Costume
Background History Industry Costume coordination Use of costume in Athenian tragedy Wardrobe supervisor
Society and culture Fursuit Cosplay Costume party Masque Masquerade ball Parade World Costume Festival
Design Costume design Costume designer Spirit gum
Elements and methods Body painting Disguise Fake moustache Fatsuit Illusion costume Inflatable costume Rubber mask Zentai
Traditional Faubourg Marigny Mardi Gras costumes French Quarter Mardi Gras costumes Halloween costume Santa suit
Theatrical Costumed performer Creature suit Dance costume Dead-character costume Domino mask Gorilla suit Kumadori Leotard Pantomime horse Stage dress Titan the Robot
Period Plague doctor costume Modern dress
Children Sesame Street Zoobilee Zoo
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Organizations Angels Costumes Costume Designers Guild Western Costume
Awards Laurence Olivier AACTA Academy Award Africa Movie Academy BAFTA Critics' Choice César David di Donatello Filmfare Golden Arena IIFA National Film Award Robert Satellite Costume Designers Guild (TV) Costume Designers Guild (fantasy)
People Category:Costume designers
Museums Centre National du Costume de Scene Costume Museum of Canada Kastoria Costume Museum Devonshire Collection of Period Costume Korea Museum of Modern Costume Museum of Ayrshire Country Life and Costume Museum of the History of the Greek Costume Portugal National Museum of Costume and Fashion Scotland National Museum of Costume
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Costume coordination is a method of dressing actors, employees or a person or group for theatrical productions and any venue requiring a fully realized character. It consists of pulling or renting existing stock clothing and costumes, altering them as needed to be used as stage clothes in a theatrical production, oversee their use, cleaning and eventual return to storage or rental company.^[1] Just as with costume design, the costume coordinator creates the overall appearance of the characters, but with the use of on hand items, including accessories. Sometimes coordinators may have a small budget to augment the existing stock or alter it for production needs.^{[citation needed]}

Many theatres with smaller budgets regularly reuse existing stock, especially older companies with large costume warehouses. It is also a staple of community theatre positions because it entails less time and effort and is the usual manner for schools to costume student performers from stored costumes donated or previously purchased.^{[citation needed]}

Coordination of costumes is also required at theme parks and festivals which require performers and dancers to have a consistent appearance, or maintained as originally designed.^{[citation needed]}