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Islamic calligraphy
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Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.[2][3] It is known in Arabic as khatt Arabi (خط عربي), which translates into Arabic line, design, or construction.[4]
The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, foliated, plaited or interlaced, bordered, and square kufic. In the ancient world, though, artists would often get around the aniconic prohibition by using strands of tiny writing to construct lines and images. Calligraphy was a valued art form, even as a moral good. An ancient Arabic proverb illustrates this point by emphatically stating that "Purity of writing is purity of the soul."[5]
However, Islamic calligraphy is not limited to strictly religious subjects, objects, or spaces. Like all Islamic art, it encompasses a diverse array of works created in a wide variety of contexts.[6] The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam.[7] Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles. Arabic or Persian calligraphy has also been incorporated into modern art, beginning with the post-colonial period in the Middle East, as well as the more recent style of calligraffiti.[8]
- ^ "Khalili Collections | Islamic Art | Part 15 of a 30-part Qur'an". Khalili Collections. Archived from the original on 23 April 2023. Retrieved 23 April 2023.
- ^ Blair, Sheila S.; Bloom, Jonathan M. (1995). The art and architecture of Islam : 1250–1800 (Reprinted with corrections ed.). New Haven: Yale University Press. ISBN 0-300-06465-9.
- ^ Chapman, Caroline (2012). Encyclopedia of Islamic Art and Architecture, ISBN 978-979-099-631-1
- ^ Julia Kaestle (10 July 2010). "Arabic calligraphy as a typographic exercise". Archived from the original on 11 October 2018. Retrieved 5 May 2014.
- ^ Lyons, Martyn. (2011). Books : a living history. Los Angeles: J. Paul Getty Museum. ISBN 978-1-60606-083-4. OCLC 707023033.
- ^ Blair, Sheila S. (Spring 2003). "The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field". The Art Bulletin. 85: 152–184
- ^ Allen, Terry (1988). Five Essays on Islamic Art. Sebastopol, CA: Solipsist Press. pp. 17–37. ISBN 0944940005.
- ^ Erzen, Jale Nejdet (February 2011). "Reading Mosques: Meaning and Architecture in Islam". The Journal of Aesthetics and Art Criticism. 69 (1): 125–131. doi:10.1111/j.1540-6245.2010.01453.x. Archived from the original on 24 November 2023. Retrieved 6 March 2024.
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