Kharja

Part of a series on
Arabic culture
Architecture Styles Islamic Yemeni Nabataean Umayyad Abbasid Fatimid Moorish Mamluk Features Ablaq Alfiz Arabesque Arabic dome Banna'i Gardens Girih Horseshoe arch Howz Hypostyle Islamic calligraphy Islamic geometric patterns Islamic ornament Iwan Liwan Mashrabiya Riad Mosaic Multifoil arch Muqarnas Nagash painting Qadad Reflecting pool Riwaq Sahn Socarrat Stucco decoration Tadelakt Vaulting Voussoir Windcatcher Zellij Types Albarrana tower Alcázar Bazaar Caravanserai Bimaristan Hammam Kasbah Madrasa Maqam Mazar Mosque Medina quarter Qalat Ribat Sabil Shadirvan Tekyeh Well house Zawiya
Art Styles Ancient South Arabian art Nabataean art Islamic art Fatimid art Mamluk art Types Arabic calligraphy Arabic graffiti Arab carpet Arabic miniature Arabic pottery Palestinian wood carving Islamic embroidery Islamic hardstone carving Islamic garden Islamic glass Islamic ivory carving Islamic Metalwork Features Arabesque Arabic geometric patterns Banna'i Damascus steel Damask Girih tiles Hedwig glass Kiswah Muqarnas Pseudo-Arabic Zellij
Cuisine Khalij (Arabian Peninsula) Arab Mashriq (Levant) Mashriq (Mesopotamia) Mawset (Egypt) Mawset (Sudan) Arab Maghreb (North Africa)
Dress Headwear Agal Battoulah Haik Keffiyeh Litham Madhalla Taqiyah Tantour Tarboush (fez) Turban Clothing Abaya Bisht Burnous Djellaba Durra'ah Fouta towel Izaar Jellabiya Kaftan Macawis Robe of honour Sirwal Takchita Thawb Tiraz
Music Theory Arabic maqam Arab tone system Algerian scale Rhythm in Arabic music Taqsim Jins Lazma Teslim Quarter tone Arabic musical instruments Great Book of Music Kitab al-Aghani Genres Arabic pop Arabic hip hop Arabic rock Arabic jazz Classical Arab music Opera Al Jeel Khaliji Raï Art music Andalusian classical music Andalusi nubah Bashraf Dawr Dulab Layali Malhun Iraqi maqam Mawwal Muwashshah Qasidah Qudud Halabiya Sama'i Tahmilah Taqsim Waslah Folk Ataaba Algerian Raï Bedouin Chaabi (Algeria) Chaabi (Morocco) Egyptian folk Fann at-Tanbura Fijiri Gnawa (North Africa) Liwa Mawwal Mezwed Samri Sawt Shaabi Zajal
Dance Ardah Belly dance Dabke Deheyeh Guedra Hagallah Khaleegy Liwa Mizmar Ouled Nail Raqs Sharqi Samri Shamadan Schikhatt Tahtib Tanoura Yowlah Zār
Scripts Old Arabic Nabataean Arabic Paleo-Arabic Classical Arabic Modern Standard Arabic
Literature Prose Epic literature Saj (ryhmed prose) Maqama Love in Arabic literature Arabic erotic literature Arabic grimoires Literary_criticism Arabic short story Tabaqat Tezkire Rihla Mirrors for princes Islamic Quran Tafsir Hadith Sīra Fiqh Aqidah Poetry Anthologies Poets Pre-Islamic Arabic poetry Modern Arabic poetry Genres Madih Hija Rithā' Waṣf Ghazal Khamriyyah Tardiyyah Khawal Fakhr Hamasah Forms Diwan Qasida Muwashshah Urjūza Mathnawi Ruba'i Nasīb Riddles Kharja Zajal Mawwal Nabati Ghinnawa Humayni Arabic prosody Bayt Ṭawīl Madīd Basīṭ Kamil Wāfir Hazaj Rajaz Ramal Munsariħ Khafīf Muqtaḍab Mujtathth Muḍāriʿ Sarīʿ Mutaqārib Mutadārik National literatures of Arab States Algeria Bahrain Comoros Djibouti Egypt Iraq Jordan Kuwait Lebanon Libya Mauritania Morocco Oman Palestine Qatar Saudi Arabia Somalia Sudan Syria Tunisia U.A.E. Yemen
Science Arabic chemistry Arabic astrology Arabic astronomy Arabic geography Arabic Golden Age Arabic mathematics Arabic medicine Arabic psychology Arabic technology
Philosophy Early Arabic Philosophy Islamic Aristotelianism Islamic Platonism Islamic Logic Kalam Sufi metaphysics Sufi philosophy Farabism Avicennism Averroism Concepts Al-aql al-faal Aql bi-l-fi'l Al-Insān al-Kāmil Dhati Peace Arcs of Descent and Ascent Asabiyyah Hal Irfan Nafs Qadar Qalb Texts Liber de Causis The Theology of Aristotle Al-isharat The Book of the Apple Encyclopedia of the Brethren of Purity The Incoherence of the Philosophers The Incoherence of the Incoherence Hayy ibn Yaqdhan Theologus Autodidactus On the Harmony of Religions and Philosophy Muqaddimah Sicilian Questions Fusus al-Hikam
Mythology Ababil Atlantis of the Sands Bahamut Beast of the Earth Book of Idols Book of Wonders Buraq Dandan Falak Ghoul Hinn Houri Ifrit Iram of the Pillars Jinn Karkadann Kujata Luqman Magic carpet Marid Mount Qaf Nasnas One Thousand and One Nights Qareen Qutrub Roc Shaddad Shadhavar Shams al-Ma'arif She-Camel of God Wāḳwāḳ Zulfiqar Zarqa al Yamama Fictional Arab people Aladdin Abdul Alhazred Ali Baba Altaïr Ibn-La'Ahad Battal Gazi Hayy ibn Yaqdhan Kara Ben Nemsi King Marsile Layla and Majnun Othello Palamedes Princess Jasmine Ra's al Ghul Sindbad Talia al Ghul
Spirituality North Arabian deities Allah Al-‘Uzzá Al-Lat Manāt Dushara Chaabou Manaf Nuha Al-Kutbay Asira Awal Azizos Bajir Quzah Manāt Manāt A'ra Abgal Aglibol Al-Qaum Atarsamain Baalshamin Bēl Hubal Suwa' Theandrios Wadd Malakbel Orotalt Ruda Sa'd Yarhibol Isāf and Nā'ila South Arabian deities Almaqah Amm Anbay Athtar Salman Dhat-Badan Haubas Ta'lab Qaynan Basamum Dhul Khalasa Haukim Nasr Sīn Ya'uq Yaghūth Yatha
v t e

A kharja or kharjah (Arabic: خرجة, romanized: kharjah, lit. 'exit' [ˈxardʒa]; Spanish: jarcha [ˈxaɾtʃa]; Portuguese: carja [ˈkaɾʒɐ]; also known as a markaz مَـْركَز 'center'),^[1] is the final couple of abyāt, or verses, of a muwaššaḥa (مُوَشَّح 'girdle'), a poem or song of the strophic lyric genre from al-Andalus. The kharja can be in a language that is different from the body; a muwaššaḥ in literary Arabic might have a kharja in vernacular Andalusi Arabic or in a mix of Arabic and Andalusi Romance, while a muwaššaḥ in Hebrew might contain a kharja in Arabic, Romance, Hebrew, or a mix.

The muwashshah typically consists of five strophes of four to six lines, alternating with five or six refrains (qufl); each refrain has the same rhyme and metre, whereas each stanza has only the same metre. The kharja appears often to have been composed independently of the muwashshah in which it is found.