Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.
New European Painting
 | This article provides insufficient context for those unfamiliar with the subject. (September 2014) |
New European Painting emerged in the 1980s and reached a critical point of major distinction and influence in the 1990s[1] with painters like Gerhard Richter,[2][3] Sigmar Polke, Georg Baselitz, Anselm Kiefer and Bracha L. Ettinger[4][5][6] whose paintings have established and continue to create a new dialogue between the historical archive, American Abstraction and figuration.[7] The major new European painters of this era show strong engagements with painful personal and general history, as well as shared history; its memory and its oblivion; and with life under the shadow of World War II, utilizing research in new and old materials, photography and oil painting.
- ^ Chris Dercon (ed.), 1980-1996 in: Face a l'Histoire, Centre Georges Pompidou / Flammarion, 1996, pp.496-561.
- ^ Gerhard Richter. Atlas. D.A.P., NY, 2006.
- ^ Stefan Germer, "Des souvenirs inoppotuns," in: Jean-Paul Ameline, Brigitte Leal, Marc Bormand and Chris Dercon (eds.), Face a l'Histoire, Centre Georges Pompidou / Flammarion, 1996, pp. 544-547.
- ^ Brian Massumi and Catherine de Zegher (eds.), Drawing Papers n.24. The Drawing Center, NY, 2001
- ^ Carol Armstrong and Catherine de Zegher (eds.), Women Artists at the Millennium. Cambridge Massachusetts: October Books, MIT Press, 2006
- ^ Griselda Pollock, "Rencontre avec l'histoire," in: Jean-Paul Ameline, Brigitte Leal, Marc Bormand and Chris Dercon (eds.), Face a l'Histoire, Centre Georges Pompidou / Flammarion, 1996, pp. 535-540.
- ^ Pollock, Griselda, "Aesthetic Wit(h)nessing in the Era of Trauma." In: EurAmerica. Vol.40 n.4: 829-886. 2010.[1]
Previous Page Next Page
