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The Veldt (band)
 | This article may be written from a fan's point of view, rather than a neutral point of view. (October 2022) |
The Veldt | |
|---|---|
| Origin | Toronto & London |
| Genres | Shoegaze, Alternative Soul |
| Years active | 1986–present |
| Labels | Capital Records Mercury Records PolyGram Mammoth Records Manimal Vinyl Schoolkids Records Optical Sounds Stardog Records Yesha Inc Disques Sinthomme |
| Members | Daniel Chavis, Danny Chavis, Hayato Nakao, Alex Cox, Dale W Miller, and Martin Newman |
| Past members | Marvin Levi, Joe Boyle, Dave Burris, Sam Clowney, Des White, Frank Olson, Micah Gaugh, Michael Simone, LG Galleon [1] |
The Veldt is a pioneering alternative soul and shoegaze group formed in 1986 in Raleigh, North Carolina by identical twin brothers Daniel and Danny Chavis. The band took their name from a Ray Bradbury science fiction story. After signing with Capitol Records in 1989, the group went on to tour America opening for such groups as The Jesus and Mary Chain and the Cocteau Twins, whose member Robin Guthrie produced their initial recordings.[1] Their 1994 album Afrodisiac is viewed as a classic of the shoegaze genre.[2][3]
The Veldt have received media coverage from outlets including Pitchfork,[2] Vice,[4] The Guardian,[5] The Huffington Post,[6] All Music Guide,[1] Louder Than War,[7] Stereogum,[3] and many others including praise from producers Joe Foster (My Bloody Valentine, The Jesus and Mary Chain), Robin Guthrie (Cocteau Twins), A.R. Kane, and Doc McKinney (The Weeknd, Drake), alongside collaborators including TV On The Radio, Mos Def and Lady Miss Kier (Deee-Lite), and acts they have opened for such as The Brian Jonestown Massacre, The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, The Jesus and Mary Chain, Oasis, Modern English, Chuck D, Living Colour, and Schooly D.[4][7][1][6][8]
The Chavis brothers relocated to New York City's East Village in the 1990s and later initiated the musical project Apollo Heights in the 2000s before returning to working under The Veldt moniker in the 2010s.[1]
The Veldt are increasingly recognized as creating a path for marginalized voices[4] and as an influence on the lineage of music that has led to the Alternative R&B success of The Weeknd and Miguel.[5]
- ^ a b c d e Kellman, Andy. "The Veldt - Biography". All Music Guide. Retrieved 22 July 2022.
- ^ a b "The 50 Best Shoegaze Albums Of All Time". Pitchfork. Conde Nast. 24 October 2016. Retrieved 22 July 2022.
- ^ a b Schonfeld, Zack (14 June 2017). "31 Essential Shoegaze Tracks". Stereogum. Retrieved 22 July 2022.
- ^ a b c Elliot, Griffin (11 May 2016). "White Music For Black People". VICE. VICE Media. Retrieved 22 July 2022.
- ^ a b Doherty, Mike (5 February 2016). "The Veldt: Pioneering Black Shoegazers Who Anticipated The Weeknd". The Guardian. Retrieved 22 July 2022.
- ^ a b Mason, Rachel (June 2017). "The Veldt's Sonic Revolution". The Huffington Post. BuzzFeed. Retrieved 22 July 2022.
- ^ a b Scott-Bates, Paul (June 2017). "Watch This! The Veldt Premier The Shocking Fuzz Of Your Electric Fur". Louder Than War. Retrieved 22 July 2022.
- ^ Cite error: The named reference
JoyOfViolentwas invoked but never defined (see the help page).
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