Emmanuel Episcopal Church | |
Location | 957 W. North Ave., Pittsburgh, Pennsylvania |
---|---|
Coordinates | 40°27′11″N 80°1′10″W / 40.45306°N 80.01944°W |
Area | 0.5 acres (0.20 ha) |
Built | 1886 |
Architect | Henry Hobson Richardson |
Architectural style | Romanesque Revival, Richardsonian Romanesque |
NRHP reference No. | 74001737[1] |
Significant dates | |
Added to NRHP | May 3, 1974 |
Designated NHL | February 16, 2000[4] |
Designated CPHS | February 22, 1977[2] |
Designated PHLF | 1968[3] |
Emmanuel Episcopal Church is a church in the North Side neighborhood of Pittsburgh, Pennsylvania. Located at 957 West North Avenue at the corner of Allegheny Avenue, its 1886 building is known for its architectural features and was one of the last designs by Henry Hobson Richardson. It was declared a National Historic Landmark in 2000.[4][5] An active parish of the Episcopal Diocese of Pittsburgh, it is known for offering a Sunday evening service of Jazz Vespers.
Though brick was selected for reasons of economy, the brickwork is one of the church's most striking features. Unlike most of Richardson's buildings, Emmanuel Episcopal's wall surfaces have fairly plain surfaces. They do not have a rough surface, moldings, belt courses or other projections to break up the planes or produce shadow lines, though the bricks do project from the main wall surface just below the eave line in two steps of different dimension to give a pleasing string course effect. Stone is used only as sills for the windows, and springing from the three entrance arches and where the foundation is exposed.
This simplicity is relieved, in part, by patterning the brickwork. Of particular note, the repetitive triangular pattern at the roofline is called “mousetooth.” The brick patterning gives the impression of finely woven fabric. The sharply incised windows and doors produce dramatic voids.
One of the best-known features of Emmanuel Episcopal Church is a mistake. The lower section of the western wall is intended to slope inward as it rises—an architectural feature called battering. Instead, the wall bows outward, a shape it began to take shortly after construction. Richardson having died a month after the building's dedication, the church hired his former employees, Longfellow, Alden & Harlow, to fix the problem. They were unable to pinpoint the cause. However, when the firm added the parish house to the far side of the church, the wall's slope stopped increasing.
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(help) and Accompanying 11 photos, exterior and interior, from 1998. (865 KB)