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Good American Speech

Good American Speech was a consciously learned accent of English promoted in certain American courses on elocution, voice, and acting from the early to mid-20th century. As a result, it became associated with particular announcers and Hollywood actors,[1][2][3][4] mostly in recorded media from the 1920s to 1950s.[5][6] This speaking style was especially influenced by and overlapped with Northeastern elite accents from that era and earlier.[5][2] Due to conflation of the two types of accents, both are most commonly known as a Mid-Atlantic accent or Transatlantic accent.[2][7] Promoters of such accents additionally incorporated features from Received Pronunciation, the prestige accent of British English,[2][5][7] in an effort to make them sound like they transcended regional and even national borders.

During the early half of the 20th century, Mid-Atlantic classroom speech was designed, codified, and advocated by certain phoneticians and teachers, linguistic prescriptivists who felt that it was the best or most proper way to speak English.[8][7][9] According to voice and drama professor Dudley Knight, "its earliest advocates bragged that its chief quality was that no Americans actually spoke it unless educated to do so".[9] During the period when Mid-Atlantic accents acquired cachet within the American entertainment industry, certain stage and film actors performed them in classical works or when undertaking serious, formal, or upper-class roles,[10] while others adopted them more permanently in their public lives. Since the mid-20th century onwards, the accent has become regarded as affected and is now rare.

  1. ^ Boberg, Charles (2020). "Diva diction: Hollywood’s leading ladies and the rise of General American English". American Speech: A Quarterly of Linguistic Usage, 95(4), 441-484: "Kelly was from Philadelphia. Rogers, from Independence, Missouri, and Shearer, from Montreal, are about half R-less. Adoption of /r/ vocalization by these actresses from r-ful regions presumably reflects both formal dramatic training and the generally high prestige of this feature in the early twentieth century" (455); "Rogers, Kelly, and Shearer produce an [a:] quality in BATH words out of respect for the British or Boston standard" (465).
  2. ^ a b c d Cite error: The named reference LaBouff was invoked but never defined (see the help page).
  3. ^ Cite error: The named reference Tham was invoked but never defined (see the help page).
  4. ^ Tsai, Michelle (28 February 2008). "Why Did William F. Buckley Jr. talk like that?". Slate. Retrieved 28 February 2008.
  5. ^ a b c Cite error: The named reference MacNeil was invoked but never defined (see the help page).
  6. ^ Cite error: The named reference Queen was invoked but never defined (see the help page).
  7. ^ a b c Cite error: The named reference Boberg 2021 was invoked but never defined (see the help page).
  8. ^ Cite error: The named reference Urban was invoked but never defined (see the help page).
  9. ^ a b Knight, Dudley. "Standard Speech". In: Hampton, Marian E. & Barbara Acker (eds.) (1997). The Vocal Vision: Views on Voice. Hal Leonard Corporation. pp. 174–77.
  10. ^ "Hollywood's "Fake" Mid-Atlantic Myth DEBUNKED!" YouTube, uploaded by Dr Geoff Lindsey, Video on YouTube.

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