A badge of shame, also a symbol of shame, a mark of shame or a stigma,[1] is typically a distinctive symbol required to be worn by a specific group or an individual for the purpose of public humiliation, ostracism or persecution.
The term is also used metaphorically, especially in a pejorative sense, to characterize something associated with a person or group as shameful.[2]
In England, under the Poor Act 1697, paupers in receipt of parish relief were required to wear a badge of blue or red cloth on the shoulder of the right sleeve in an open and visible manner, in order to discourage people from collecting relief unless they were desperate, as while many would be willing to collect relief, few would be willing to do so if required to wear the "shameful" mark of the poor in public.[3]
The yellow badge that Jews were required to wear in parts of Europe during the Middle Ages,[4] and later in Nazi Germany and German-occupied Europe, was effectively a badge of shame, as well as identification.[5] Other identifying marks may include making shamed people go barefoot.
The biblical "Mark of Cain" can be interpreted as synonymous with a badge of shame.[6][7][8][9]
...the badge of shame was imposed locally and infrequently in Italy until the Bull of Pope Alexander IV enforced it on all papal states.
But the wearing of a badge or outward sign — whose effect, intended or otherwise, successful or not, was to shame and to make vulnerable as well as to distinguish the wearer...
As the term [mark of Cain] is used today, the idea of a protective mark has been lost; only the negative sense of a mark of shame or criminality remains.
Did we not say that when Mr. Lewis wrote his first history of A.M.O.R.C. that he also wrote his confession, placing on it the badge of shame—the mark of Cain—that revealed its real purpose and spurious nature?
In light of this horror, some of the more ardent rulers and princes of this 'Christian' church-related this [yellow] badge of shame to the mark of Cain as Christ killers...
The work of Jean Genet, poet, playwright and novelist (1910–86) and Violette Leduc, innovator in prose narrative (1907–72) reverts to the ancient traditions of bastardy as excess, a badge of shame and evil, a latter-day mark of Cain, which at the same time distinguishes the bastard from the herd and confers a sort of perverse and even grandiose power.