| Descarga | |
|---|---|
| Stylistic origins | Son cubano, filin, rumba, mambo |
| Cultural origins | Havana music scene (mid-1950s) |
| Typical instruments | Piano, double bass, percussion section, horn section, tres, flute, violin |
| Derivative forms | Salsa dura |
| Regional scenes | |
| Havana and New York City | |
| Other topics | |
| Music of Cuba - Jam session | |
A descarga (literally discharge in Spanish) is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba.[1] The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.
- ^ Acosta, Leonardo (2006). "La realidad sobre la descarga". Otra visión de la música popular cubana (in Spanish). Barranquilla, Colombia: La Iguana Ciega.