Straight man

The straight man (or straight woman in the case of female characters), also known as a "comedic foil", is a stock character in a comedy performance, especially a double act, sketch comedy, or farce.^[1] When a comedy partner behaves eccentrically, the straight man is expected to maintain composure. The straight man is a foil, a contrasting character to the funny man. The direct contribution to the comedy a straight man provides typically comes in the form of a deadpan.

A straight man with no direct comedic role has historically been known as a stooge. Typically, he is expected to feed the funny man lines that he can respond to for laughs (and is hence sometimes known as a feed), while seeking no acclamation for himself. If a straight man unintentionally breaks composure and laughs, it is known in English as corpsing.

^ Shifreen, Lawrence J. (1977). "The "New Wave" of Standup Comedians: An Introduction". Department of American Studies. American Humor. 4 (2, 'Special Issue: Standup'). University of Maryland: 1–3. JSTOR 42594580. The idea of the comedy team afforded another type of humorous conversation, with one party adopting the role of the "straight man" and the other as the "funny man." The best known of these teams was Burns and Allen. The key to their humor was George Burns' timing and Gracie 's dizzy responses to Burns' questions (i.e. George Burns and Gracie Allen). The sexist role of the batty woman, as seen through Gracie's perceptions, borders on madness and sheer child-like wonder and presents a new role that would be homogenized in the character of Lucille Ball.

[1] Shifreen, Lawrence J. (1977). "The "New Wave" of Standup Comedians: An Introduction". Department of American Studies. American Humor. 4 (2, 'Special Issue: Standup'). University of Maryland: 1–3. JSTOR 42594580. The idea of the comedy team afforded another type of humorous conversation, with one party adopting the role of the "straight man" and the other as the "funny man." The best known of these teams was Burns and Allen. The key to their humor was George Burns' timing and Gracie 's dizzy responses to Burns' questions (i.e. George Burns and Gracie Allen). The sexist role of the batty woman, as seen through Gracie's perceptions, borders on madness and sheer child-like wonder and presents a new role that would be homogenized in the character of Lucille Ball.

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