Game of Thrones | |
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Genre | |
Created by | |
Based on | A Song of Ice and Fire by George R. R. Martin |
Starring | |
Theme music composer | Ramin Djawadi |
Opening theme | "Main Title" |
Composer | Ramin Djawadi |
Country of origin | United States |
Original language | English |
No. of seasons | 8 |
No. of episodes | 73 (list of episodes) |
Production | |
Executive producers |
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Producers | |
Production locations | |
Running time | 50–82 minutes |
Production companies | |
Original release | |
Network | HBO |
Release | April 17, 2011 May 19, 2019 | –
Related | |
Infobox instructions (only shown in preview) |
Game of Thrones is an American fantasy drama television series, based on George R. R. Martin's book series A Song of Ice and Fire. The first episode was shown on April 17, 2011 on Home Box Office. There are eight seasons in total as of 2019. The first season was nominated for thirteen Emmy Awards, including Outstanding Drama Series and won two of them. The series focuses on various kings and queens in two continents called Westeros and Essos. Many of the successors to the throne fight for power. The series is praised for human sexuality and story line.[5]
From the bro-style bloviating (or, broviating) of True Detective's first season, to the ominous proclaiming that punctuates the general whoring and slaying of Game of Thrones, to the unceasing climatological and psychological punishments meted out to the cast of The Killing, it seems as though some of the most celebrated recent examples of serial drama have elected self-seriousness as their default tone.
Like Game of Thrones, the action in those ancient tragedies centered on the stories of four ruling dynasties: House Atreus of Mycenae, House Cadmus in Thebes, House Erichthonius in Athens, and House Minos in Crete.
But while Game of Thrones is in part a rebuttal to traditional fantasy fiction, I'd argue that it's become clear—after five books in A Song of Ice and Fire and five seasons of the TV series—that Martin and showrunners D.B. Weiss and David Benioff are actually playing with a format that isn't so revolutionary at all: They're reviving and updating the classical tragedy as a narrative form.